Waltz #2
Chris Buck Chris Buck

Waltz #2

The record label liked my ideas, and Elliott acquiesced, but reluctantly. (Elliott Smith for Dreamworks)

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Quentin Tarantino 1992
Chris Buck Chris Buck

Quentin Tarantino 1992

Brooklyn is now a cultural center but in those days it took some persuasive talk to convince a subject to cross the Williamsburg Bridge.

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Pretty in Black
Chris Buck Chris Buck

Pretty in Black

Steve Albini was a central voice of my generation. I interviewed him in the spring of 1987.

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Eminem, 1999
Chris Buck Chris Buck

Eminem, 1999

We started with a decent (if strange) idea that got watered down into a cheesy literal one.

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A History With David Cronenberg
Chris Buck Chris Buck

A History With David Cronenberg

Two miles from where I grew up there were some low-rent motels along Lake Ontario. I found these places fascinating, and apparently so did David Cronenberg.

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Chris Farley, 1994
Chris Buck Chris Buck

Chris Farley, 1994

Flipping through the contact sheets after his death, the pictures depicted him as dramatic and sad that was not pretentious, but actually telling.

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UNEASY Nick Offerman
Chris Buck Chris Buck

UNEASY Nick Offerman

“Here is a magnificent work of art in book form, full of pithy, charismatic and attractive people. I am also pictured.“

- Nick Offerman

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UNEASY Todd Haynes
Chris Buck Chris Buck

UNEASY Todd Haynes

Haynes was an easy and willing subject, resulting in some dynamic portraits, seemingly built around using flowers as props.   

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Happy Mother’s Day!
Chris Buck Chris Buck

Happy Mother’s Day!

My father famously worked for Kodak but it’s my mother who encouraged my interest in art, and certainly the Uneasy book wouldn’t exist without her early influence.

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UNEASY Billy Bob Thornton
Chris Buck Chris Buck

UNEASY Billy Bob Thornton

When I present ideas that are a little out of left field, I don’t over explain, I just ask—the more you explain, the more likely they are to overthink it and say no.

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UNEASY Mark E. Smith
Chris Buck Chris Buck

UNEASY Mark E. Smith

“You have taken the only portrait in existence where Mark E. Smith looks sexy.” I hope that these outtakes from the 1986 session hit the mark.

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UNEASY Chris Rock
Chris Buck Chris Buck

UNEASY Chris Rock

There was no one behind the counter, so I asked one of the men if the place was open. “Yes, it’s open.” I looked at him as he told me this and thought that I recognized him. “Are you Chris Rock?”

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UNEASY Cinema Verité: D.A. Pennebaker
Chris Buck Chris Buck

UNEASY Cinema Verité: D.A. Pennebaker

This is the fifth and final interview that I’m posting today from the Cinema Verité filmmakers. All of these interviews were done in 1997/1998 for Index and ran as a special pull-out section in the magazine.

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UNEASY Cinema Verité: Robert Drew
Chris Buck Chris Buck

UNEASY Cinema Verité: Robert Drew

I interviewed five of the masters of the Cinema Verité movement in the late nineties. With Drew the interview was congenial and relaxed, but then came the photos, and he seemed a little shocked when I was bossy and controlling.

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